EXHIBITION LIST

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Al Rayyan Galery – Nizwa – 2018 – Front Door Entrance Nr.1

1. Enclosure Fathom Part 1: Solo Exhibition, 24 – 02 to 28 – 02 – 2018 – Completed 

Exhibition Space: Al Ryyan Gallery – for bespoke services – Nizwa, Sultanate of Oman.

Artist legally represented by:

CMS – Cameron Mckenna Nabarro Olswang LLP – Advocate Ben Ewing.

Sponsored and or assisted by:

Abdallah Elchami – Managing Partner – Mad Solutions.

Said bin Hamad Al Hashami of Al Ryyan Gallery and The Karate Academy Nizwa.

Hamood Al Handale  – Nizwa.

Opening Ceremony: Oasis – Birkat Al Mouz – Nizwa  – 24 February, 2018

Exhibition Portfolio:

  1. Mars Trojan – Elon – The Shroud (5517) A and (5517) B in poster form.
  2. CHANGE: Yggdrasil (5518)A Paper and Digital Composition
  3. Transmutation HOLOGRAPHIC HIGHWAY (5519) 
  4. Transmutation HOLOGRAPHIC Memory Of the Soul (5520) A &
    Transmutation HOLOGRAPHIC memory Of the Soul (5520) B (Not for sale – exhibition purposes only).
  5. Restitution and Contrition (5521) Kickbacks, Donkey Paws and Past Reveries – with a story included.
  6. Uvea (5522)
  7. The Rose – Zero-Knowledge Protocol (5523) (Not for sale – exhibition purposes only).

*Each work was accompanied by several Vanitas items.

Flashback To Preparations and Enclosure Fathom – Part 1, Exhibition 2018.

Al Rayyan Galery – Nizwa – 2018 – Front Door Entrance Nr.1
Preparing the electricity feed and layout for ”Mars Trojan – Elon – The Shroud (5517) B” in poster form – Al Rayyan Gallery – 2018
Preparing The Sitting Space For Guests, In The Room With ”Mars Trojan Elon – The Shroud (5517) B” In Poster Form. Water, Dates And Rooibos Tea, And Partial Examples Of The Future Exhibition ”The Pearl – Nizwa”, For Visitors To Look At.
Vanitas In The Blue Room , Opposite ”Mars Trojan – Elon – The Shroud (5517) A” The Original Framed Drawing – Al Rayyan Gallery – 2018. Visitors Could Enjoy Dates, Water Or Juice And Mini Cake, Sitting On The Floor Or On A Chair At The Window.
UVEA 5522 In Its Glass House In The Blue Room, Opposite Opposite ”Mars Trojan – Elon – The Shroud (5517) A” The Original Framed Drawing – Al Rayyan Gallery – 2018. It Was Standing Next To A Votive Candle With Glass Rocks Floating In Water And A Candle Inside, And A Tin Of Cookies And A Folded Scroll, Handmade By The Artist And Two Guests At A Time Could Drink Tea. To The Right Is A Hat/ Food Covering From Tanzania And Some Jewelry From Africa. The Glass Box Forms A Compass Utilizing The Mirrors As A Means To Answer The Puzzles Collectively Inside The Picture.

Social Media Items Used during the Exhibition:

Social Media Advert 1: to Exhibition
Social Media Advert 2: to Exhibition

2. Contemporary Landscape 2019 – Group Exhibition: 01 – 11 to 17 – 11 – 2019 – Completed

Exhibition Space: CICA Museum -196-30, Samdo-ro, Yangchon-eup, Gimpo-si, Gyeonggi-do, South Korea 10049 https://cicamuseum.com/

Veyis – Catalog -Picture – Cica – Museum.

ExhibitionPortfolio:

  1. I Wanna be A Star Walker (2008). 
  2. The Rose Revisited: The Floating Matrix (2006). https://artshowroom.org/2019/10/31/contemporary-landscape-2019-cica-museum-11-1-11-17-2019/

3. ‘SNAP TO GRID’ – Group Exhibition: 01 – 12 – 2019 to – 04 – 01- 2020 – Completed

Exhibition Space: LACDA (The Los Angeles Center for Digital Art), Gallery Row area of downtown Los Angeles, 104 E. 4th Street, U.S.A. https://www.lacda.com/location/location.html

‘SNAP TO GRID’ – Group Exhibition: 01 – 12 – 2019 to – 04 – 01- 2020

Exhibition Portfolio:

  1. Tabula Recta (5523) C https://artshowroom.org/2019/11/01/tabula-recta-5523-c/https://artshowroom.org/2019/11/01/lacda-los-angeles-exhibitions-dec-12-2019-jan-4-2020/
Looking at Tabula Recta(5523) & I Wanna Be A Star Walker in the background.

4. ‘OPEN SOURCE’ – Group Exhibition: 01 – 12 – 2019 to – 04 – 01- 2020 – Completed

I Wanna Be A Star Walker (2008). Https://Artshowroom.Org/2019/11/01/Lacda-Los-Angeles-Exhibitions-Dec-12-2019-Jan-4-2020/

Exhibition Space: LACDA (The Los Angeles Center for Digital Art), Gallery Row area of downtown Los Angeles, 104 E. 4th Street, U.S.A. https://www.lacda.com/location/location.html

‘OPEN SOURCE’ – Group Exhibition: 01 – 12 – 2019 To – 04 – 01- 2020

5. Paralym Art – Group Digital Competition and Online Exhibition: 2020 – Japan – Completed

Oita Ikebana Sakura: The Precious Slipper – An Ode to Mizuki (008172) was entered into the ParalymArt World Cup 2020 Competition in Japan. It was shown in their catalog, where the artist competed as a South African, but also on behalf of Oman for the theme.

1. ParaLym Art – juried – Competition/ Digital Online Exhibition 2020 – Japan.

Exhibition Portfolio:

I Wanna be A Star Walker (2008). https://artshowroom.org/2019/11/01/lacda-los-angeles-exhibitions-dec-12-2019-jan-4-2020/

6. DIVERSIA: EARTH – 2021 (Code: EXH799638115), Smart Group Exhibition: 01 – 04 – 2021 to – 30 – 04 – 2021 – Completed

Organizer: Exhibizone

Venue: Biafarin Online Exhibition

Exhibizone is a smart online exhibition platform in Ontario – CANADA that connects venue-based shows to online spaces and provides efficient exposure for artists to be seen and sell their artworks. It is their 11th international monthly show, a smart online exhibition with 108 contemporary artworks.

This April, Diversia: Earth tells a unique visual story of Earth.

As Carl Sagan, the visionary scientist, beautifully said: “The pale blue dot”, the only home we’ve ever known, is the only place to everyone we love, everyone we know, everyone we ever heard of, every human being who ever was, and lived out their lives. See the press release here: https://www.artweek.com/events/canada/art-online/toronto/opening-diversia-earth-smart-group-exhibition#

Exhibition Portfolio:

DIVERSIA: EARTH – 2021 (Code: EXH799638115), Smart Group Exhibition: 01 – -2021 to – 30 – 04 – 2021: All Things Blue (5517) E: The Dummy Record – “Quia veteres scalae meae fractae sunt” (Because my old ladder is broken) – Ladder Sniff.
  1. Enclosure Fathom Part 2: Limited Edition: All Things Blue (5517) E: The Dummy Record – “Quia veteres scalae meae fractae sunt” (Because my old ladder is broken) – Ladder Sniff. Enclosure Fathom Part 2: Limited Edition: All Things Blue (5517) E: The Dummy Record – ‘’Quia veteres scalae meae fractae sunt’’ (Because my old ladder is broken) – Ladder Sniff. – SHARM.T.P (artshowroom.org)
  2. SEE AT THE GALLERY https://www.exhibizone.com/p/diversia-earth-2021.html?AW=AW127773508 AND AT Exhibizone: Diversia: Earth – 2021 | Online Group Exhibition

7. The Secret Garden: Pepney Gallery – Online. Date: 16 September to 16 October 2021.

Organizer: Pepney Gallery (2021) – based in Cavan, Ulster, Ireland. The rural setting of the gallery is currently a creative hub of artists and creatives alike. Marilyn Pepper is an independent curator and also founder of Pepney Gallery. The exhibition is juried. 

https://www.pepneygallery.com/The-Secret-Garden-1/Website: https://www.pepneygallery.com/

‘The Secret Garden’ officially opens on 16th September 2021 at 20:00GMT and runs until 16th October 2021.  The Live Opening Exhibition can be viewed here, please R.S.V.P. here: https://fb.me/e/1JSBSTNwd

Featured Artist’s include: Anna Pepe, Barbara Ann Parnell Lewis, Beatriz Montes Lozano, Casiegraphics & Vanessa Leissring, Christina Papagrigoriou, Eager Zhang, ebeck, Edyta Dzierż, Ekaterina Kozlova, Eva Plzáková, Gabriela Farnell, Gale Rothstein, Grace Glover, Irene O’Neill, JES – Dontrememberjes, John Laurence, Judith Mazzucco, Juji Capanema, Karen Colville, Leena Vainio, Lola Muñoz, Madison Burger, Marilyn Gaffney, Mary Anne Zammit, Matthias Lück, Megan Morgan, Michael Wagner, Natali Samkanashvili, Natasha von Braun, Pawel Pacholec, Polina Berestovaia, Radoslava Hrabovská, Richard Nattoo, Rita Hisar, Romanovich Victoria, Root Yarden, Sabrina Pohl, Shadi Goodarzi, Sharm. T. P., Siobhan McEvoy, Stéphane Vereecken, Stephanie Garner, Svetlana Suslina, Uzma Rani and Valeria Amirkhanyan.

Exhibition Portfolio:

Oita Ikebana Sakura: The Precious Slipper – An Ode to Mizuki (008172)

Read More:

Enclosure Fathom: 日本風コレクション – Nihon-fū korekushon – SHARM.T.P (artshowroom.org)

8. Completed – International Contemporary Group Art Exhibition – M.A.D.S. the digital art gallery 7.0:  Milan, Italy and Fuerteventura, Canary Islands – ”Aldilà HYPERAESTHESIA ONEIRICA”.  Date: October, 22 – 31 2021. 

locandinca_concept_aldil.jpg

Website: https://www.madsgallery.art/events

Upcoming International Contemporary Group Art Exhibition – M.A.D.S. the digital art gallery 7.0:  Milan, Italy and Fuerteventura, Canary Islands – ”Aldilà HYPERAESTHESIA ONEIRICA”.  Date: October, 22 – 31 2021.  – SHARM.T.P (artshowroom.org)

See the artist’s preliminary notes to the physical background to the exhibition and read about the theme. Watch this space to see the actual artist’s notes relating to her own work to be exhibited and accompanying music.

9. Florence International Biennial of Contemporary Art and Design: XIII FB THEME 2021 – Eternal Feminine – Change. Date: 23 -31 October 2021

Florence Biennale

Organizer: International Biennale of Contemporary Art in Florence

Venue: The Fortezza da Basso

Exhibition Portfolio:

“Nafurat Miah Alshurb” – The Fountain of Excellent Memories in Mother’s Eyes – “Ayin – Zayin”

                                             Feeds our Thirst.

                                                                    The Rose Revisited

‘’Help Mother Download Only Excellent Memories

The Eye of The Fountain is The Breast That Feeds Us: It Flowers

We Flower.’’

This work will be seen there in digital form, as NEW ART.

Read More:

Florence International Biennial of Contemporary Art and Design: XIII FB THEME 2021 – Eternal Feminine – Change. Date: 23 -31 October 2021 – SHARM.T.P (artshowroom.org)

Florence Biennale Art Space – Florence Biennale

10. Completed Exhibition: ITSLIQUID – ALCHEMIC BODY | FIRE . AIR . WATER . EARTH 2021 – LONDON CONTEMPORARY ART FAIR – November 04 – November 25, 2021.

…..Sharmaine Thérèsa Pretorius (SHARM.T. P)., from her side, presented a video story set in Japan, in which the five elements of Earth, Air, Wind, Fire and Water are the only way to the Truth…..https://www.itsliquid.com/review-alchemicbody-2021.html

Zoetrope Film Title: Oita Ikebana Sakura: The Precious Slipper – An Ode to Mizuki (008172)

Running Time: 03.00 minutes

Screening Format: 16/9 

Category: Other – Original Drawing Photographed and Animated and set to Music.

New Media – Mixed Arts

Producer(s): Artist self with music sponsored by Dr. Maria-Elizabeth Bezuidenhout and John

Rojas Website: Duo4Musicians – JOHN ROJAS & MARIA – ELIZABETH BEZUIDENHOUT

SONG: Heimwee

11. Completed Group Exhibition – 9th Edition – of CONTEMPORARY VENICE 2021. THE ROOM Contemporary Art Space -November 15 to December 09, 2021 and Misericordia Archives – November 16 to December 09, 2021.

https://www.itsliquid.com/opening-contemporaryvenice2021-9th.html/embed#?secret=oz0RxNUCF2

See the artist’s work:

Ithaca – Frozen Race in An Iron Age – Zoetrope

New Media – Mixed Art

Description: A video Zoetrope about a Doge confronting his shadow of the past. Earth is in the grip of Dogs of War. They can contaminate or the thinker, the seer, the prayer warrior, the really woken may live to see light and victory.

  Running Time: 01.17min

ITSLIQUID Group, in collaboration with Venice Events organized the 9th Edition of CONTEMPORARY VENICE 2021, international exhibition of photography, painting, video art, installation/sculpture and performance art, held in Venice.

12. Enclosure Fathom Part 2: Solo Exhibition, opening ceremony Oman 16 – 12 – 2019 to 23 – 12 – 2019 – Virtual Exhibition to follow and virtual race for collectors, ongoing. To complete end of 2022.

Enclosure Fathom Part 2: Limited Edition: Golden Peace Bubbles Preparing For Flotation ‘MideleMarch’ (5517) L

Bespoke services. By invitation only. Artist legally represented by:

CMS – Cameron Mckenna Nabarro Olswang LLP – represented by Advocate Ben Ewing.

Exhibition includes a confidential treasure hunt – virtual art – race for art collectors, to win the chance to bid on the work at auction or exchange work with other art collectors.

Exhibition Work Portfolio:

  1. Tabula Recta (5523) C: Digital rendition of the original drawing; The Rose – Zero-Knowledge Protocol (5523), which featured in Enclosure Fathom – Part-1 Exhibition. https://artshowroom.org/2019/11/01/tabula-recta-5523-c/
  2. Rose Window – La Chandeleur – La Seu & Mars Meet-In-The-Middle Attacks (5523) D: Digital rendition of the map of Mars and a digital blend of the work ‘Tabula Recta (5523) C. https://artshowroom.org/2019/11/02/enclosure-fathom-part-2-limited-edition-rose-window-la-chandeleur-la-seu-mars-meet-in-the-middle-attacks-5523-d/
  3. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org) UVEA MORSE CODE MASSAGE – The Method – IS The Message – Vitreous Humour (5522) A.
  4. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org) UVEA MORSE CODE MESSAGE – The Method – IS – The Message – Vitreous Humour (5522) B
  5. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org) UVEA MORSE CODE MASS AGE – The Method – IS – The Message –Vitreous Humour (5522) Chttps://www.holeintheheadreview.com/sharmaine-pretorius
  6. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org) UVEA MORSE CODE – S.O.S AGE – The Method – IS – The Message – Vitreous Humour (5522) D.
  7. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org) UVEA MORSE CODE LOSS OF MASS – S.O.S. ANTARCTICA – IS – The Message – Vitreous Humour (5522) E – Sierra – Oscar – Sierra.
  8. Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E: A group of 6 digital renditions of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. http://Enclosure Fathom Part 2: Limited Edition – Uvea Morse Code The Method – IS – The Message (5522) A to (5522) E – SHARM.T.P (artshowroom.org).UVEA MORSE CODE WATER MASS – IS – The Message – Aqueous Humour (5522) – dot dot dot dash dash dash dot dot dot.
  9. Quantum Triviality – Trivia Artes Liberales – Quadrivia. Accompanied by the story: Quantum Triviality, Sunshine Language and Donkey Paws. (5521) A. When Labels Go Sticky and Get Untagged: This work is based on a digital rework of a picture of the Vanitas background to the work ‘Restitution & Contrition (5521)’ which featured in Enclosure Fathom – Part-1 Exhibition. It was accompanied by a story called, ‘Kickbacks, Donkey Paws and Past Reveries’. https://artshowroom.org/2019/11/05/enclosure-fathom-part-2-limited-edition-quantum-triviality-trivia-artes-liberales-quadrivia-accompanied-by-the-story-quantum-triviality-sunshine-language-and-donkey-paws-55/
  10. Restitution and Contrition: (5521) B1 – The Zebra Puzzle – Cerebellum Island. This work is dedicated to the memory of Amelia Earhart. Digital rendition of the original drawing; Restitution and Contrition (5521) Kickbacks, Donkey Paws and Past Reveries, which featured in Enclosure Fathom – Part-1. edition-restitution-and-contrition-5521-b1-the-zebra-puzzle-cerebellum-island-5521-b2-the-zebra-puzzle-sagittal-anatomy/
  11. Restitution and Contrition: (5521) B2 – The Zebra Puzzle – Sagittal Anatomy. This work is dedicated to the memory of Amelia Earhart. Digital rendition of the original drawing; Restitution and Contrition (5521) Kickbacks, Donkey Paws and Past Reveries, which featured in Enclosure Fathom – Part-1. http://edition-restitution-and-contrition-5521-b1-the-zebra-puzzle-cerebellum-island-5521-b2-the-zebra-puzzle-sagittal-anatomy/
  12. Restitution and Contrition: (5521) C – It Slept In The Fields: Dial On Realms. This work is based upon; Enclosure Fathom Part 1: Limited Edition – Restitution and Contrition: (5521). It is accompanied by a story dedicated to the memory of my grandmother Let and my grandfather Hugh. The work itself – It Slept In The Fields: Dial on Realms (5521) C – is dedicated to every animal or positive being; humans weigh/ count or perceive as less worthy and choose or chose to experiment upon, purely because it is felt that they hold/held less consciousness than humans. In all realms, including space. Digital rendition of the original drawing; Restitution and Contrition (5521) Kickbacks, Donkey Paws and Past Reveries, which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition – Restitution and Contrition: (5521) C – It Slept In The Fields: Dial On Realms. – SHARM.T.P (artshowroom.org)
  13. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Amnesia Looked After By The Divine: (5220) C to (5520) G – (5 x Digital Works). Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) They Were Just There – (5520) C
  14. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Amnesia Looked After By The Divine: (5220) C to (5520) G – (5 x Digital Works). Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org)Kilimanjaro Is Waiting – Tinman And The Watcher – (5520) D
  15. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Amnesia Looked After By The Divine: (5220) C to (5520) G – (5 x Digital Works). Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Tamalone – (5520) E
  16. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Amnesia Looked After By The Divine: (5220) C to (5520) G – (5 x Digital Works). Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org)Unbound To Adoration – (5520) F
  17. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Amnesia Looked After By The Divine: (5220) C to (5520) G – (5 x Digital Works. http://Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Jovan– (5520) G
  18. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. http://Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Watchers Of The Caves – (5520) H
  19. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Guarding The Paths – (5520) I
  20. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Heart And Shoes Of The Cave – (5520) J
  21. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) At The Beat Of The Drum – Spinning Faster – (5520) K
  22. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) NOT Angels But They Were There – (5520) L
  23. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) He Watched & The Owls Watched – (5520) M
  24. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. http://Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Remembering Home – (5520) N
  25. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Time To Say Goodbye – (5520) O
  26. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) 50% Whispers Of Africa – Zebra Cave Gate – (5520) P
  27. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work: Caves – The Way: (5520) H to (5520) Q – 10 X Digital Works. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Seasons Change: Going Home (5520) Q
  28. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Face Off: Raka Versus Koki 1 ( 5520) R
  29. Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. This work is dedicated to my one grandfather Hugh Edward Webb, the people of Tanzania and greater aunt Lilian Julian Webb – a.k.a. the writer Cynthia Stockley.  Transmutation HOLOGRAPHIC memory Of the Soul (5520) A, is a beautiful work that was accompanied by this ‘Vanitas’ part of its exhibition in the ‘Green Room’, which featured in Enclosure Fathom – Part-1. The main part of the ‘Vanitas’ is a ‘puzzle bowl’ in two parts that comes from Zanzibar in Tanzania. This is a collection of digital works based upon both the ‘Vanitas’ items as well as the original work. Enclosure Fathom – Part 2 Transmutation HOLOGRAPHIC Memory Of The Soul: Raka Versus Koki 5520 ….. – SHARM.T.P (artshowroom.org) Face Off: Raka Versus Koki 2 ( 5520) S
  30. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Xenagogue Cochlea – Ray – It Measures Stair – Disc To Time: 5519 A
  31. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Multiverses According to Cochleas: 5519 B
  32. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org)  Place Where Blind Men Can See: 5519 C
  33. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T. P (artshowroom.org) Illusory Message Matrix: 5519 D
  34. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Vanitas -Teacher’s Bag Bursting With Knowledge – Gesiggies: 5519 E
  35. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Vanitas – Hearers Heard: 5519 F
  36. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Two Pillars – Ornaments: 5519 G
  37. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Rainbow Entrance to House Masks: Gate 5- 5519 H i
  38. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Rainbow Entrance to House Masks: Gate 4- 5519 H ii
  39. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Rainbow Entrance to House Masks: Gate 3- 5519 H iii
  40. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Cochlea Shielding Reality; 5519 I
  41. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Gates of Time Watchers: 5519 J
  42. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Dogs Trained to Enter: 5519 K
  43. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Inner Wheel Work: 5519 L i
  44. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Inner Wheel Work: 5519 L ii
  45. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Cochleas The Listeners: Oprah Has its Own Balcony-5519 M
  46. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N i
  47. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N ii
  48. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N iii
  49. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N iv
  50. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N v
  51. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 – Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Absurd Beauty – Ice Age Unmasked: 5519 N vi
  52. Xenagogue: Cochlea – Ray – It Measures (5519) A – O. This body of digital reworks is based upon; Enclosure Fathom – Part-1 –Transmutation HOLOGRAPHIC Highway: (5519). The original picture exemplifies a satellite which resembles the International Space Station, which picks up and relays signals and is at the center of a lot of interaction. Enclosure Fathom Part 2: Limited Edition – Xenagogue: Cochlea – Ray – It Measures (5519) A – O – SHARM.T.P (artshowroom.org) Heat Signature: 5519 O
  53. Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. This work is based on the digital version called ”Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1. The artist first photographed small drawings separately and then as a group and took another two years to create with a kaleidoscope what she witnessed in her dream. It was a tree, made up of components and also hiding a map of MARS – which means – ‘war’. The work has been in low space orbit on a nanosat circling earth since 2017, as part of her involvement with Asgardia Space Nation, as well as her signature work ”Mars Trojan – Elon – The Shroud (5517) A”. Secondly, this work is based upon the original drawing named; ”The Rose – Zero-Knowledge Protocol (5523)” on which the exhibition; Enclosure Fathom – Part-1 – is based. Enclosure Fathom Part 2: Limited Edition – Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. – SHARM.T.P (artshowroom.org)Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A:  The Flower of Life.
  54. Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. This work is based on the digital version called” Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1. The artist first photographed small drawings separately and then as a group and took another two years to create with a kaleidoscope what she witnessed in her dream. It was a tree, made up of components and also hiding a map of MARS – which means – ‘war’. The work has been in low space orbit on a nanosat circling earth since 2017, as part of her involvement with Asgardia Space Nation, as well as her signature work” Mars Trojan – Elon – The Shroud (5517) A”. Secondly, this work is based upon the original drawing named;” The Rose – Zero-Knowledge Protocol (5523)” on which the exhibition; Enclosure Fathom – Part-1 – is based. Enclosure Fathom Part 2: Limited Edition – Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. – SHARM.T.P (artshowroom.org) Mandorla (5518) B
  55. Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. This work is based on the digital version called” Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1. The artist first photographed small drawings separately and then as a group and took another two years to create with a kaleidoscope what she witnessed in her dream. It was a tree, made up of components and also hiding a map of MARS – which means – ‘war’. The work has been in low space orbit on a nanosat circling earth since 2017, as part of her involvement with Asgardia Space Nation, as well as her signature work” Mars Trojan – Elon – The Shroud (5517) A”. Secondly, this work is based upon the original drawing named;” The Rose – Zero-Knowledge Protocol (5523)” on which the exhibition; Enclosure Fathom – Part-1 – is based. Enclosure Fathom Part 2: Limited Edition – Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. – SHARM.T.P (artshowroom.org)Villarceau a Torus Plane: Field of Flowers – not Acerbas (5518) C
  56. Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. This work is based on the digital version called” Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1. The artist first photographed small drawings separately and then as a group and took another two years to create with a kaleidoscope what she witnessed in her dream. It was a tree, made up of components and also hiding a map of MARS – which means – ‘war’. The work has been in low space orbit on a nanosat circling earth since 2017, as part of her involvement with Asgardia Space Nation, as well as her signature work” Mars Trojan – Elon – The Shroud (5517) A”. Secondly, this work is based upon the original drawing named;” The Rose – Zero-Knowledge Protocol (5523)” on which the exhibition; Enclosure Fathom – Part-1 – is based. Enclosure Fathom Part 2: Limited Edition – Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. – SHARM.T. P (artshowroom.org)Change: Yggdrasil Glass Houses (5518) D
  57. Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. This work is based on the digital version called” Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1. The artist first photographed small drawings separately and then as a group and took another two years to create with a kaleidoscope what she witnessed in her dream. It was a tree, made up of components and also hiding a map of MARS – which means – ‘war’. The work has been in low space orbit on a nanosat circling earth since 2017, as part of her involvement with Asgardia Space Nation, as well as her signature work” Mars Trojan – Elon – The Shroud (5517) A”. Secondly, this work is based upon the original drawing named;” The Rose – Zero-Knowledge Protocol (5523)” on which the exhibition; Enclosure Fathom – Part-1 – is based. Enclosure Fathom Part 2: Limited Edition – Ethereally Recycled – The Rose Revisited – Sacred Euclidian Space (5518) A to E: The Flower of Life. – SHARM.T. P (artshowroom.org)  Autumn Intersection (5518) E
  58. All Things Blue (5517) C and Vanitas: The Visitation. Digital rendition of the dummy part of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: All Things Blue (5517) C and Vanitas: The Visitation. – SHARM.T. P (artshowroom.org)
  59. All Things Blue (5517) D: The Dummy Record – The Mastaba Over London. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: All Things Blue (5517) D: The Dummy Record – The Mastaba Over London – SHARM.T. P (artshowroom.org)
  60. All Things Blue (5517) E: The Dummy Record – ‘’Quia veteres scalae meae fractae sunt’’ (Because my old ladder is broken) – Ladder Sniff. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. https://artshowroom.org/2019/11/13/enclosure-fathom-part-2-limited-edition-all-things-blue-5517-e-the-dummy-record-quia-veteres-scalae-meae-fractae-suntbecause-my-old-ladder-is-broken/
  61. Just Things (5517) F: The Dummy Record – Spine Portal – Dummy Entrance – épine. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: Just Things (5517) F: The Dummy Record – Spine Portal – Dummy Entrance – épine. – SHARM.T.P (artshowroom.org)
  62. Just Things (5517) G: The Dummy Record – Wire World – Dummy Sees His Graphics – épine. The Horror. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: Just Things (5517) G: The Dummy Record – Wire World – Dummy Sees His Graphics – épine. The Horror. – SHARM.T.P (artshowroom.org)
  63. Just Things (5517) H: The Dummy Record – Like A Drive – In Sign – Flipping Out. BUT So Beautiful Was The Original – He Decided He Would Love Himself. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: Just Things (5517) H: The Dummy Record – Like A Drive – In Sign – Flipping Out. BUT So Beautiful Was The Original – He Decided He Would Love Himself. – SHARM.T.P (artshowroom.org)
  64. Just Things (5517) I: The Dummy Check: He Looked Up – nativitas – genus – ortus – partus – fetus – ingenuitas – THEN HE SAW THE USB. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: Just Things (5517) I: The Dummy Check: He Looked Up – nativitas – genus – ortus – partus – fetus – ingenuitas – THEN HE SAW THE USB. – SHARM.T.P (artshowroom.org)
  65. All Things (5517) J: The Dummy Record – The Purple Flame. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: All Things (5517) J: The Dummy Record – The Purple Flame. – SHARM.T.P (artshowroom.org)
  66. The Betrayal (5517) K. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Enclosure Fathom Part 2: Limited Edition: The Betrayal (5517) K – SHARM.T.P (artshowroom.org)
  67. Golden Peace Bubbles Preparing For Flotation ‘MideleMarch’ (5517) L. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Accompanied by the story; Jovan – Helena; Preamble to Paris – Midele March. https://artshowroom.org/2019/11/20/enclosure-fathom-part-2-limited-edition-golden-peace-bubbles-preparing-for-flotation-midelemarch-5517-l/
  68. 5517 M – Blue Star Appearance And Disappearance. Digital rendition of the clothes of prisoners – which featured as Vanitas item in Enclosure Fathom – Part-1 Exhibition.
  69. Predicaments Of Time – Just A Map (5517) N. Digital rendition of the map of Mars the original drawing – which featured in Enclosure Fathom – Part-1 Exhibition.
  70. Don’t Panic I’m Floating Starman 1_dot (5517) O. Digital rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. Story chapter also continues on from All Things Blue (5517) E: The Dummy Record – ‘’Quia veteres scalae meae fractae sunt’’ (Because my old ladder is broken) – Ladder Sniff. https://artshowroom.org/2019/11/22/enclosure-fathom-part-2-limited-edition-dont-panic-im-floating-starman-1_dot-5517-o/ Published first as part of the article A Gifted Foreign Artist Names Mtsketha Her ”Real Home” by Katie Ruth Davies: 27 December 2018, printed newspaper and newszine.https://georgiatoday.ge/news/13928/A-Gifted-Foreign-Artist-Names-Mtskheta-Her-%E2%80%9CReal-Home%E2%80%9D
  71. The Age Old Picnic: Deja, Deja – Lydia – The Odyssey – Spectral – Murex: Xenia Nostos – (5517) P. Digital rendition of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. These works are accompanied by two chapters of the book Enclosure Fathom. https://artshowroom.org/2019/11/23/the-age-old-picnic-deja-deja-lydia-the-odyssey-spectral-murex-xenia-nostos-5517-p-the-belt-of-ajax-a-trojan-horse-tail-5517-q/ . Published first as part of the article A Gifted Foreign Artist Names Mtsketha Her ”Real Home” by Katie Ruth Davies: 27 December 2018, printed newspaper and newszine.https://georgiatoday.ge/news/13928/A-Gifted-Foreign-Artist-Names-Mtskheta-Her-%E2%80%9CReal-Home%E2%80%9D
  72. The Age Old Picnic: Deja, Deja – Lydia – The Odyssey – Spectral – Murex: The Belt of Ajax A Trojan Horse ‘Tail’- (5517) Q. Digital rendition of the original drawing of UVEA (5522) – which featured in Enclosure Fathom – Part-1 Exhibition. https://artshowroom.org/2019/11/23/the-age-old-picnic-deja-deja-lydia-the-odyssey-spectral-murex-xenia-nostos-5517-p-the-belt-of-ajax-a-trojan-horse-tail-5517-q/
  73. Simulacra and Simulation – Out of Left Field: Asgardia – “Precession of Simulacra”(5517) R. Digital, mirrored rendition of the original work ‘’Mars Trojan – Elon – The Shroud (5517) A’’ which featured in Enclosure Fathom – Part-1. The works has been circling in low space orbit since 2017, on the Nanosat Asgardia – 1 as part of the artist’s involvement with Asgardia Space Nation. https://artshowroom.org/2019/11/30/simulacra-and-simulation-out-of-left-field-asgardia-precession-of-simulacra/
  74. Welcome to the Desert of the Paradigmatic Real: Maps (5517) S. Map of Mars – original drawing; hidden inside – part of the digital version called ”Change: Yggdrasil (5518)” shown in Enclosure Fathom – Part-1 and an email record in time. Not shown. https://artshowroom.org/2019/12/01/welcome-to-the-desert-of-the-paradigmatic-real-maps-5517-s/
  75. Vanitas – Paradigmatic Expenses of The Real (5517) T – a postcard of pictures of the artist – during her life’s journey. https://artshowroom.org/2019/12/02/vanitas-paradigmatic-expenses-of-the-real-5517-t/
  76. Non – Vanitas -Ticket To Mars – Nüwa (5517) U. https://artshowroom.org/2019/12/03/enclosure-fathom-part-2-limited-edition-non-vanitas-ticket-to-mars-nuwa-5517-u
  77. Vanitas – Nüwa/ Nizwa – Mends the Heavens – (5517) V https://artshowroom.org/2019/12/04/enclosure-fathom-part-2-limited-edition-vanitas-nuwa-nizwa-mends-the-heavens-5517-v/

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