Upcoming Solo Exhibition: AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 “ΑΘΕ” – AEGIS –

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Introduction:

The modern concept of doing something “under someone’s aegis” means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans.

In Greek, the word aegis has various meanings, including a violent windstorm, a divine shield, and a goatskin garment.

 “Zeus who holds the aegis” may have originally meant “Sky/Heaven, who holds the thunderstorm”. If we could translate birds’ speech according to the Chladni musical interpretations and human alphabet, we may hear them gathering to fight for earth’s AEGIS – our beautiful protection of the earth, the ozone layer that protects sea, land and sky. It is but the thin lace which protects all within its web of kinship, we have to choose to PROTECT and choose NOT to storm it like Salvador Dali CHOSE to let the rhinoceros loose on his copy of the Lace Maker.

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Thasos (3012)

Numismatics – “ΑΘΕ” – AEGIS – Reformed: Thasos (3012)

As seen in: ART Habens Art Review, Biennial Edition (Special Edition) – Webzine (47th issue) – Great Brittain, Published on Dec 31, 2021. https://issuu.com/arthabens/docs/biennial.ed.xxv

ARTIST NOTES:

The Aegis:

The aegis is a shield carried primarily by Zeus in Greek mythology, which he sometimes lent to Athena.
According to other sources, it was not a shield but rather an animal skin worn over the garments of
the gods as extra protection. It bore the head of a Gorgon and made a terrible roaring sound during
the battle. The aegis was forged by the Cyclopes in Hephaestus’ forge, and had golden serpent-like
scales and a Gorgon’s head rolling its eyes. In some texts, it was mentioned that when Zeus would shake
the aegis, clouds would cover Mount Ida and men would hide in fear.
• The Gorgons were three monsters in Greek mythology, daughters of Echidna and Typhon, the mother
and father of all monsters respectively. Their names were Stheno, Euryale, and the most famous of
them, Medusa. Although the first two were immortal, Medusa was not. Weirdly, Medusa was also not
considered the child of Echidna and Typhon, but of Phorkys and Keto. Their faces were ugly, and their hair
was replaced by snakes; anyone who would gaze into their eyes would be turned to stone instantly.
In Greek, the word aegis has various meanings, including a violent windstorm, a divine shield, and a goatskin garment.

The modern concept of doing something “under someone’s aegis” means doing something under the
protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection
by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse
mythology and in Egyptian mythology as well, where the Greek word aegis is applied by extension. Classical Greece interpreted the Homeric aegis usually as a cover of some kind borne by Athena. It was
supposed by Euripides (Ion, 995) that the aegis borne by Athena was the skin of the slain Gorgon, yet the usual understanding is that the Gorgoneion was added to the aegis, a votive offering from a grateful Perseus.
• In a similar interpretation, Aex, a daughter of Helios, represented as a great fire-breathing chthonic serpent
similar to the Chimera, was slain and flayed by Athena, who afterwards wore its skin, the aegis, as
a cuirass (Diodorus Siculus iii. 70), or as a chlamys. The Douris cup shows that the aegis was represented
exactly as the skin of the great serpent, with its scales clearly delineated.
• John Tzetzes says that aegis was the skin of the monstrous giant Pallas whom Athena overcame and
whose name she attached to her own.
• In a late rendering by Gaius Julius Hyginus (Poetical Astronomy ii. 13), Zeus is said to have used the skin of
a pet goat owned by his nurse Amalthea (aigis “goat-skin”) which suckled him in Crete, as a shield when he
went forth to do battle against the Titans.
• The aegis appears in works of art sometimes as an animal’s skin thrown over Athena’s shoulders and arms,
occasionally with a border of snakes, usually also bearing the Gorgon head, the gorgoneion. In some pottery it appears as a tasselled cover over Athena’s dress. It is sometimes represented on the statues of Roman emperors,
heroes, and warriors, and on cameos and vases. A vestige of that appears in a portrait of Alexander the Great in a fresco from Pompeii dated to the first century BC, which shows the image of the head of a woman on his armor that resembles the Gorgon.
•Herodotus thought he had identified the source of the ægis in ancient Libya, which was always a distant territory of ancient magic for the Greeks. “Athene’s garments and ægis were borrowed by the Greeks from the Libyan women,
who are dressed in exactly the same way, except that their leather garments are fringed with thongs, not serpents.
•Robert Graves in The Greek Myths (1955; 1960) asserts that the ægis in its Libyan sense had been a shamanic pouch containing various ritual objects, bearing the device of a monstrous serpent-haired visage with tusk-like teeth and a protruding tongue which was meant to frighten away the uninitiated. In this context, Graves identifies the aegis as clearly belonging first to Athena.
• One current interpretation is that the Hittite sacral hieratic hunting bag (kursas), a rough and shaggy
goatskin that has been firmly established in literary texts and iconography by H.G. Güterbock, was a source of the aegis.
• The Greek αἰγίς aigis, has many meanings including:
• “violent windstorm”, from the verb ἀίσσω aïssō (word stem ἀιγ- aïg-) = “I rush or move violently”. Akin
to καταιγίς kataigis, “thunderstorm”.
• The shield of a deity as described above.
• “goatskin coat”, from treating the word as meaning “something grammatically feminine pertaining to goat”:
Greek αἴξ aix (stem αἰγ- aig-) = “goat”, + suffix -ίς -is (stem -ίδ- -id-).
• The original meaning may have been the first, and Ζεὺς Αἰγίοχος Zeus Aigiokhos = “Zeus who holds the
aegis” may have originally meant “Sky/Heaven, who holds the thunderstorm”. The transition to the meaning
“shield” or “goatskin” may have come by folk etymology among a people familiar with draping an animal skin
over the left arm as a shield.•

Numismatics is the study or collection of currency, including coins, tokens, paper money and related
objects. While numismatists are often characterised as students or collectors of coins, the discipline also
includes the broader study of money and other payment media used to resolve debts and the exchange
of goods. Early money used by people is referred to as “Odd and Curious”, but the use of other goods in
barter exchange is excluded, even where used as a circulating currency (e.g., cigarettes in prison).
The Kyrgyz people used horses as the principal currency unit and gave small change in lambskins;
the lambskins may be suitable for numismatic study, but the horses are not. Many objects have been used for
centuries, such as cowry shells, precious metals, cocoa beans, large stones and gems.
Etymology: First attested in English 1829, the word numismatics comes from the adjective numismatic,
meaning “of coins”. It was borrowed in 1792 from French numismatiques, itself a derivation from Late Latin
numismatis, genitive of numisma, a variant of nomisma meaning “coin”.

Nomisma is a latinisation of the Greek νόμισμα (nomisma) which means “current coin/custom”,which derives from νομίζω (nomizō), “to hold or own as a custom or usage, to use customarily”, in turn from νόμος (nomos), “usage, custom”, ultimately from νέμω (nemō), “I dispense, divide, assign, keep, hold”.[6]
Subfields:
Exonumia (UK English: Paranumismatica) is the study of coin-like objects such as token coins and
medals, and other items used in place of legal currency or for commemoration. This includes ELONGATED
coins, encased coins, souvenir medallions, tags, badges, counterstamped coins, wooden nickels, credit
cards, and other similar items. It is related to numismatics proper (concerned with coins which have been
legal tender), and many coin collectors are also exonumists.
Notaphily is the study of paper money or banknotes. It is believed that people have been collecting paper
money for as long as it has been in use. However, people only started collecting paper money systematically
in Germany in the 1920s, particularly the Serienscheine (Series notes) Notgeld. The turning point occurred
in the 1970s, when notaphily was established as a separate area by collectors. At the same time, some
developed countries such as the United States, Germany and France began publishing their respective
national catalogues of paper money, which represented major points of reference literature.
Scripophily is the study and collection of stocks and Bonds. It is an area of collecting due to both the inherent
beauty of some historical documents as well as the interesting historical context of each document. Some stock certificates are excellent examples of engraving.
Occasionally, an old stock document will be found that still has value as a stock in a successor company.

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Quantum Tagging Gates: ”THEN IT CAME.”

(3013)

Numismatics – “ΑΘΕ” – AEGIS – Reformed: Quantum Tagging Gates: ”THEN IT CAME.” (3013)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3014) The Catfish – Save The Oceans – From Scripophily. Use PLNT – SaveCoin.

Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3014) The Catfish – Save The Oceans – From Scripophily. Use PLNT – SaveCoin.

Drawing: 2016 – 2022, W: 33 H: 25cm

See it on exhibition online in Canada at:

Gallerium: Extinction: Save the Planet – 2022 | Smart Group Exhibition

ARTIST NOTES:

Medium: water color paint, drawing,colored pens and calligraphy pen.

The modern concept of doing something “under someone’s aegis” means doing something under the protection of a powerful, knowledgeable, or benevolent source.

The word aegis is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans.

In Greek, the word aegis has various meanings, including a violent windstorm, a divine shield, and a goatskin garment.

“Zeus who holds the aegis” may have originally meant “Sky/Heaven, who holds the thunderstorm”.

If we could translate birds’speech according to the Chladni musical interpretations and human alphabet, we may hear them gathering to fight for earth’s AEGIS – our beautiful protection of the earth, the ozone layer that protects sea, land and sky. It is but; the thin lace which protects all within its web of kinship.

We have to choose to PROTECT and choose NOT to storm it like Salvador Dali CHOSE to let the rhinoceros loose on his copy of The Lacemaker.

Scripophily is the study and collection of stocks and bonds. It is an area of collecting due to both the inherent beauty of some historical documents as well as the interesting historical context of each document. Some stock certificates are excellent examples of engraving.Occasionally, an old stock document will be found that still has value as a stock in a successor company.

“In the days of Jesus Christ, Jews paid taxes both locally to the Jewish temple and to the pagan government in Rome.

Matthew records two separate instances depicting Jesus’ view on paying these taxes.

The first incident is recorded in Matthew 17:24-27, where the collectors of the temple tax ask Peter whether Jesus pays that tax.

Jesus,knowing of this conversation, asks Peter, “What do you think, Simon? From whom do kings of the earth take toll or tribute? From their children or from others?”

Peter answers, “From others.”

Jesus responds, “Then the children are free. However, so that we do not give offense to them, go to the sea and cast a hook; take the first fish that comes up; and when you open its mouth, you will find a coin; take that and give it to them for you and me.”

The second incident, concerning the Roman tax, is found in Matthew 22:15-22. Here the Pharisees and Herodians want to entrap Jesus with the question, “Is it lawful to pay taxes to the emperor, or not?”

Jesus knows the malice in their hearts and responds with a cutting question, “Why are you putting me to the test, you hypocrites? Show me the coin used for the tax.” 

When they hand him a denarius, he asks, “Whose head is this, and whose title?” They respond, “The emperor’s.” Jesus ends the conversation with the words, “Give therefore to the emperor the things that are the emperor’s, and to God the things that are God’s.”

The artist argues that the nature of this planet does NOT HAVE or NEED to have a “currency” or Scripophilic record of it in order for it to qualify to have the protection of an Aegis.

It IS protection itself through its divine enclosures, such as the ozone layer throughout the Ages.

References:

Matthew and Work | Bible Commentary | Theology of Work

The Lacemaker (Vermeer) – Wikipedia

Young Woman Seated at a Virginal – Wikipedia

Aegis – Wikipedia

Armor of God – Wikipedia

Cippus – Wikipedia

Ozone Layer Protection | US EPA

Ocean Rescue: ‘Takeaway tax’ idea could reduce plastic use

Inspirations:

See it currently on exhibition online in Canada at:

Gallerium: Extinction: Save the Planet – 2022 | Smart Group Exhibition

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3015)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Jonah (3016)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3017)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3018)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3019)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3020)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3021)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3022)

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: The Lady Ducked – Duck Breath (3023) A

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: A Different Piano (3023) B

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3023) C

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3023) D

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: (3023) E

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Nippy Dogs – Blue Balloons, Red Balloons (3023) F

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Unknown Territory – Be More Careful (3023) G

Artist Notes:

Young people sometimes toy with things, eyes bright about playing with ‘magic’ drawing comics and setting up spells. BUT for every real thing there is a counterfeit. Evil has no cute blueprint or shiny eyed saving power. It is just what it is: evil.

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Unknown Territory – Miss – aligned PORTALS (3023) H

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Shields of Truth – This Side of Luck (3023) I

AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 /

Numismatics – “ΑΘΕ” – AEGIS –

Reformed: Just A Stanza – Laurel and Bluebird (3024)

ARTIST NOTES:

Definition of a Stanza

Imagine that you’re visiting someone’s house for the first time, and they’re giving you a tour. As you go from room to room, you’ll notice that each room serves a different purpose and has a different feel to it. For example, the kitchen has a different atmosphere than the bathroom, and it certainly has a different purpose! Still, these rooms all work together to make the house complete.

In a sense, a poem is very similar to a house. Most poems are divided into stanzas, groups of lines, which function like the rooms of a house. In fact, stanza literally means ‘room’ in Italian. Traditionally, different kinds of stanzas are defined by their meter, the pattern of strong and weak syllables in each line, and rhyme scheme, the order in which rhymes occur. Of course, free verse, poetry that doesn’t use rhyme or meter, can also use stanzas to create pauses and organize the poem on the page. What is a Stanza in Poetry? – Definition & Examples – Video & Lesson Transcript | Study.com

Nissan Bluebird

The Nissan Bluebird (Japanese: 日産・ブルーバード, Hepburn: Nissan Burūbādo) is a compact car with a model name introduced in 1957. It has been Nissan’s most internationally recognized sedan, in multiple body styles, and is known for its dependability and durability. The Bluebird originated from Nissan’s first vehicles, dating to the early 1900s, and its traditional competitor became the Toyota Corona. The Bluebird was positioned to compete with the Corona, as the Corona was developed to continue offering a sedan used as a taxi since Toyota Crown was growing in size. Every generation of the Bluebird has been available as a taxi, duties that are shared with base level Nissan Cedrics. It is one of the longest-running nameplates from a Japanese automaker. It spawned most of Nissan’s products sold internationally, and has been known by a number of different names and bodystyles, including the 160J/710/Violet/Auster/Stanza line.

Export versions were sold variously as the Datsun 510, Datsun 180B (with 160B and 200B versions) and the Datsun Bluebird. The Nissan Bluebird nameplate began appearing around 1982 as the Datsun marque was phased out in favour of Nissan.

From 1981 to 1985, Australia followed the Japanese convention by calling its car the Bluebird, and had a unique, facelifted rear-wheel-drive version for 1984 and 1985. That car was replaced in 1986 by the Nissan Pintara. It would be replaced by the successive Bluebird, also called Pintara, until 1992; then the range was brought in line with the Japanese model, for the U13 series from 1993 to 1997. In an unusual twist, brought about under the short lived Button Plan, the Pintara was also rebadged for Ford Australia as the Ford Corsair, reviving a Ford UK nameplate last used in the 1960s.

In the United States, the Bluebird was eventually sold as the Nissan Stanza. In 1992, the Stanza became the Nissan Altima. Currently, the Bluebird is not sold in North America; in 1998, the Altima was completely redesigned, becoming a model unique to the North American market. The Bluebird sold in Europe between 1986 and 1990 was in fact a rebadged Nissan Auster—this was replaced by the Primera in Nissan’s European line-up in 1990. A six-cylinder version called the Maxima was released in the 1980s and became a separate model.

Although Nissan’s own materials indicate that the Bluebird name emerged in 1959, some records show that the name first adorned a 988 cc (60.3 cu in), 34 PS (25 kW) four-door sedan in 1957, which was part of the company’s 110/210 series. Its engine was based on an Austin design, as Nissan had been building the Austin A50 Cambridge under licence in the 1950s.

The 210 was known for doubling Nissan’s production at the time and was the first Nissan to be exported to the United States. In some markets, this model was exported as the Datsun 1000. It was the first passenger car to be built in Taiwan, by the fledgling Yue Loong works, as the 1960 YLN 701 Bluebird. The 210 established an early reputation for reliability, with two of them winning the 1000 cc class in the 1958 Australia Mobilgas Rally, competing against the first generation Toyota Crown.

The Nissan Laurel is a front-engine, rear-drive two- and four-door sedan manufactured and marketed by Nissan from 1969 to 2002. Introduced in 1968 as a new model positioned above the 1968 Datsun Bluebird 510, the Laurel offered the luxury of the Nissan Cedric 130 in a smaller size. The laurel is a noble tree in Greek mythology, and the laurel wreath a symbol of honorable status. In Japan, the Laurel was not marketed as a Datsun, being always labeled as a Nissan.

 In June 1970 a two-door hardtop coupé joined the lineup, as a junior version of the all-new Nissan Cedric/Gloria coupe, and one year later a 2000 cc engine became available in the four-door sedan as well. Its competitors at introduction were the Toyota Corona Mark II sedan, the Isuzu Bellel, and the Mazda Luce which was introduced in 1966. The Laurel did not sell as well as expected, largely because the design was too similar to that of the smaller, cheaper Bluebird (510) which was developed as a competitor before Nissan bought Prince.

In April 1972 the second Laurel generation appeared, again in four-door saloon and two-door hardtop coupé form affectionately known as the Butaketsu Laurel (“fat butt”) because of its ample rear quarter panels and tail section, with the taillights incorporated into the rear bumper.

The styling of the coupe appears to be influenced by the 1970 Ford Torino and the 1971 Mercury Cougar, reflecting a popular styling trend during the 1960s and 1970s called “coke bottle“. Sales in Japan (very few were exported) ran to about 96,000 per year, with three-quarters sedans.

Coke bottle styling is an automotive body design with a narrow center surrounded by flaring fenders which bears a general resemblance to a Coca-Cola classic glass contour bottle design. It was introduced by industrial designer Raymond Loewy on the radical 1962 Studebaker Avanti gran turismo.

The design was pioneered in fighter jets as a way of greatly reducing the sharp drag rise that occurs at transonic speed and supersonic speeds. Using this design often results in a pinch-waisted fuselage shape that National Advisory Committee for Aeronautics (NACA) labeled the design principle ‘area rule,’ and variously identified as coke bottle, wasp waist, or Marilyn Monroe shape.

References:

Coke bottle styling – Wikipedia

Nissan Bluebird – Wikipedia

Nissan Laurel – Wikipedia

Project ARTICHOKE – Wikipedia

Button car plan – Wikipedia

References:

https://www.greekmythology.com/Myths/Elements/Aegis/aegis.html
https://en.wikipedia.org/wiki/Aegishttps://en.wikipedia.org/wiki/Numismatics
https://en.wikipedia.org/wiki/Ancient_Greek_coinage
https://en.wikipedia.org/wiki/Thasos
https://en.wikipedia.org/wiki/Satyr

The Nissan Bluebird is a Little Beast – YouTube

Saying that a car is able to get under one’s skin sounds like an exaggeration, but Nissan and Datsun enthusiast Troy Ermish has more than a little appreciation for the 510. Named different things depending on where it was sold, the Datsun 510 and Nissan Bluebird was one of the most revolutionary cars to come from Japan. It was very well built, sporty—and quite quick when taken racing. For Ermish, his love for the model comes down to one similarity between him and his cars: they’re tough. “I identify with a 510 because it’s a workhorse, and I never give up, I work hard…I think the 510 can be said to be the exactly the same. It’s very well-engineered, and it never gives up.” His attraction to the vehicle started in the late ’80s, and blossomed from there—Ermish says he stopped keeping track of how many 510s have passed through his shop once the number got above about 225. His Bluebird Coupe, meanwhile, is a rare species in the United States, with only about thirty known cars in this country. “I began racing Datsuns in 1989…three years after I started racing, I loaded everything I had up and went to Arizona for the first pro race I was going to do with SCCA,” he says. “We did really well, we sat on pole, broke the track record, won, and made just enough money to get back home!” Now, he enjoys restoring cars to their owner’s specifications, for two reasons. The first? To earn some money to keep racing his cars, and the second is to bring the car back to working condition, and then helping its owner get the best out of it during future race weekends. “Pretty much everything I’ve been able to obtain emotionally and financially are really based on the opportunity that the 510 presented itself to me, and I took advantage of it,” Ermish says. “I could have never imagined 25 years ago that I’d be able to be sitting in my own shop, with a line of people waiting for me to work on their stuff.” Drive Tastefully® http://Petrolicious.comhttp://facebook.com/Petrolicious

Viajando no veículo movido a água e madeira – YouTube

Traveling vehicle powered by water and wood: PROFESSOR PARDAL BRASIL

Song

Birdseye Blues

Artist

Chris Haugen

Licensed to YouTube by

YouTube Audio Library

Listen with me to: Rehoboth Langarm – YouTube

Armando – YouTube (Shared by the user to Youtube) Gyzie Langarm’s music – langarm or kizomba

Alvar Uys well known as Gyzie/Gysie is a selftaught musician who can play multiple instruments. On this channel you will find some of his performances, albums and single music videos. He is based in Namibia and sometimes spend time in South Africa too when doing recording projects with some of the local artist there. Besides being a musician, Alvar is a qualified sound-recording engineer and music producer, well known for mixing and mastering. https://www.youtube.com/c/AlvarGyzieUys/about

Exhibition List in Progress:

1. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Thasos (3012).

2. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Quantum Tagging Gates: ”THEN IT CAME” (3013).

3. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3014) The Catfish – Save The Oceans – From Scripophily. Use PLNT – SaveCoin.

4. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3015).

5. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Jonah (3016).

6. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3017).

7. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3018).

8. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3019).

9. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3020).

10. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3021).

11. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3022).

12. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: The Lady Ducked – Duck Breath (3023) A.

13. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: A Different Piano (3023) B.

14. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3023) C.

15. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3023) D.

16. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: (3023) E.

17. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Nippy Dogs – Blue Balloons, Red Balloons (3023) F.

18. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Unknown Territory – Be More Careful (3023) G.

19. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Unknown Territory – Miss – aligned PORTALS (3023) H.

20. AEGIS REFORMED – Enclosure Fathom -Numismatics- 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Shields of Truth – This Side of Luck (3023) I.

21. AEGIS REFORMED – Enclosure Fathom — 1 / Numismatics – “ΑΘΕ” – AEGIS – Reformed: Just A Stanza – Laurel and Bluebird (3024) (3024).

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